Pati Patni Aur Woh 2019 Full Movie
Cast: Kartik Aaryan, Bhumi Pednekar, Ananya Panday,
Aparshakti Khurana
Executive: Mudassar Aziz
Pati Patni Aur Woh 2019
Changes can be a dubious business as correlations will
undoubtedly occur with the first substance. Here's one right toward the start:
I had one issue when I as of late viewed the first Pati Patni Aur Woh
(featuring Sanjeev Kumar, Ranjeeta and Vidya Sinha). The authors and the
executive gave us innocent ladies who will accept each word a man says, in any
event, consenting to proceed with a relationship regardless of realizing that
the man cheated. Slice to 2019, after three decades, and Mudassar Aziz's
cutting edge take on Pati Patni Aur Woh didn't correct that misstep either. The
entire reason that a person can so effectively trick his better half and the
lady he cherishes outside his marriage is so disturbing.
The film begins with a running voiceover by Jimmy Sheirgill
who declares that 'Aisa koi sawal nahi jiska Uttar aapko Uttar Pradesh mein na
mile'. And afterward, we're acquainted with Abhinav Tyagi otherwise known as
Chintu (Kartik Aaryan), who fills in as an administration representative in
Kanpur's PWD division. He wedded Vedika Tripathi (Bhumi Pednekar), a material
science instructor from Lucknow, at an early age. Vedika tries to live in Delhi
since cutting edge life is additionally enticing. They get hitched not long
after their first gathering where Vedika clarifies that she 'enjoys sex', and
the two lead 'cheerfully ever after' life for a long time until Tapasya Singh
(Ananya Panday) shifts from Delhi to Kanpur to discover an area to set up a
workshop for her creator boutique.
Exactly when Chintu was searching for approaches to flavor
up his everyday wedded life, he is doled out the activity of aiding Tapasya
discover the plot and, in a matter of moments, he gets into an
I-don't-know-how-it-began and I-am-not in any case
sure-of-what's-going-on-between-us association with her. Between this, Chintu's
partner and closest companion, Fahim Rizvi (Aparshakti Khurana) backs his
Ghar-wali-Bahar wali game and spares him each time he is going to get caught in
the act. What follows next is a progression of disarrays, complexities,
innocent embellishments and acknowledge that sound rather unreasonable.
The film's tone is chauvinist, where it is alright to call
your closest companion's better half as daayan, chudail and naagin. Consider it
a satire of mistakes and it won't not be right on the grounds that there are a
lot of them that look agitating. I couldn't resist seeing how the film
incredibly switches between Kanpur to Lucknow in merely seconds and without
giving the group of spectators an appropriate explanation. Perhaps, area
consistency is something that creators didn't give any consideration to.
Discussing satire, the funniness is well-put however you
can't call it phenomenal. At places where the comic component goes down, the
producers have cunningly imbued it with clever exchanges and jokes like 'No
what no way, free fledgling blue sky', 'Vichaar Karne se bachhe paida nahi
hote', 'Ladki dekhte greetings how I wonder what you are ho jaate ho'.
0 comments:
Post a Comment